![]() YA Fantasy has made fantasy marketable, but it hasn’t improved the content of the genre. To read and understand them was a challenge and an accomplishment… One thing that I always appreciated about Epic Fantasy was its exclusivity. The lexicon, the syntax, and the high-literary value of many of these works was something that most ‘kids’ didn’t quite get. “Our first love was what publishers label as Epic or High Fantasy… Despite the unusual nature of our desired reading, it came with a certain quality. Frank LeVoie talks about this in his article, “ Is YA the Death of Epic Fantasy?” For every Anne McCaffrey and Susan Cooper, there are dozens of K. Twilight is the obvious example here, but there are many others. It also bears remembering that for every wonderful YA book, there are literally hundreds of mediocre, or terrible works. I have learned that just because the majority of appear to be written by adults does not make them trustworthy. When grownups cannot tell the difference between beautifully written world building and fan fiction bound between paperback covers and slapped with a publisher’s logo, then who can? Worse yet, with the advent of online review boards, such as Amazon, terrible books are being recommended willy-nilly. Grown adults now gush about the events of Breaking Dawn as though they happened to a best friend. ![]() What bothers me perhaps the most about cheap YA fiction is that it is no longer being read exclusively by young adults. I recently reread one of Piers Anthony’s books and was horrified at the hackneyed phrases and the threadbare tropes. The first time I read a Xanthian novel, I laughed over it for days. Let’s face it, many of these have become so laughably worn out because they can be used with such beautiful effect when written well. However, to the young adult reader, many of the plot devices that an adult has seen ad nauseam are fresh and new. If I had a nickel for every time a mind-reading vampire informed me that he had to have me then and there due to my opaque frontal lobe activities…) I could probably have just put up this picture with no text at all and y’all would understand.Ĭurrently, the YA trend (thanks to Twilight and the plethora of vomit-inducing books that followed in its wake) seems to be that this protagonist is a human, but has some abnormal characteristic that renders him irresistible to some magical being, and they fall in love. This becomes even more trite if he discovers his magical powers/super-secret heritage right before or immediately upon puberty. This seems to be considered most believable if he has been orphaned, split from his family by a catastrophe, or abandoned by his caretakers. He can be the “Chosen One,”-the answer to some prophecy, come to save everyone from some great evil-a prince in disguise, or sometimes the unwitting mixed child of a human and a non-human (normal animal, mystical beast, or god). The most clichéd of these seems to be one of several variations on the idea that the protagonist is not what he/she appears to be. In current YA fantasy, especially, tropes seem to be worn to the bone. These were the pinnacle of young adult fiction. I fell in love with the male leads, or rewrote the story in my mind and superimposed my own characters on their worlds long before I was aware of fan fiction. ![]() The Hero and the Crown, Crown Duel & Court Duel, Half Magic, The Black Stallion, Redwall, Tom’s Midnight Garden-each of these had characters that seemed to leap off the page and into my imagination. Frequently, especially during the summer, the library system would flash a caution screen, “WARNING: THIS PATRON IS OVER THEIR LIMIT.” The librarians never said anything to us they just quietly clicked OK, and let us take out as many books as we wanted. We would spend hours pouring over the shelves, and then bike back home with backpacks bursting at the seams. Our local library was near enough that my siblings and I were allowed to bike there, once our mother deemed us responsible enough. After all, I remember reading many fantastic books as a child and preteen. While doing so, I have lamented several times about the eroding quality of YA literature. ![]() I’ve spent a lot of time recently reading, and occasionally reviewing, young adult fiction-mostly fantasy.
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